Hi Lee,
All extremely interesting to me!
My career started as a trainee electronics engineer in the British aircraft industry way back in '64.
I worked on VC10 and BAC1-11 aircraft in the cockpit and radio/radar bay.
Had very early exposure to Concorde which was designed in B.A.C. before becoming a joint UK/French project.
Two years into the apprenticeship I decided it wasn't for me and moved over to working on computers.
My first was an RCA301 re-badged for UK sale as an ICT1500.
6 bit characters (not bytes),octal, no QWERTY keyboard but buttons to press that represented binary within the 'registers' being altered, plus a parity bit. The two mainframes I worked on had a colossal 20k characters of memory each!
From there in '66 to teaching satellite communications around the world in 2001.
I delivered several courses in Washington too.
Of course, for me, the epitome of speakers were the Quad Electrostatics (Google Quad ESL-57). Were they the first?
Power handling was frequently an issue with them, they couldn't handle much and had a tendency to arc when over-driven.
Although not with the original Quad valve (tube) amplifiers.
When I worked in an audio shop as a spare time job, back in the 70's, we made a stacked pair of Quad ESL 57's.
We constructed a special wooden frame, replacing the wooden end piece and the feet, supporting them one above the other in a continuous curve.
Staggeringly accurate, but they needed space to be at their best.
My friend, who owned the shop, had a Large room, where we could place them a metre from the back wall, a metre from the side walls, with a metre between them, and OH! the stereo imaging. I've never heard anything quite like them since.
I believe they've become collector's items these days. Quad will still service them, even after more than half a century.
I never got round to do anything exciting with car audio. Somehow it didn't seem worth while to me.
But then I didn't spend much time in the car.
I make do with a much more modest set up at home.
A pair of bi-amped floor standing Celestions, with a REL Storm filling in the otherwise lost octave (or two).
Electronics all care of UK firm ARCam. All very long in the tooth now.
Especially so as now the hearing is beginning to give out.
The top end has long gone and my threshold of pain has reduced to around 90dB!
Sadly, I now have to wear a hearing aid too.
Oh well, it's been good while it lasted.
My wife is a classically trained operatic mezzo soprano, so I make backing/rehearsal tracks for her, ranging from Bach alto arias from the cantatas, to Puccini, Verdi, Dvorak, etc. Some more successfully than others it has to be said.
All fairly off topic it must be said, but what the heck!
Kind regards,
JohnG.